Choice: 'This is an
intriguing, atmospheric screenplay with a potentially interesting
cast of strong characters...There's clearly a compelling screenplay
bubbling away here...' BBC writersroom
A Brief Case:
'A true page turner.
This script has action adventure from start to finish and probably
had the best mid-point plot point with the bomb attached to the
women. In fact, the morning after scene is written to
perfection...The story does have everything going for it:
adventure, sexuality, comedy, violence and tension...and it should
go far.!' WILDsound
JULIUS CAESAR, South London Theatre
'...so much commitment and sensitivity.' Maya Gabrielle
(Director)
Richard III, Greenwich Playhouse
‘The naughtiness of Tom Rushforth as Richard has to be seen (and
heard) to be believed. It is a black imp we have before us, one
whose mischief knows no bounds and neither does his enjoyment of
his own wickedness. A hellish Puck in fact with absolutely no
scruples. You tremble to think of what he may do next and you
tremble further anticipating his joy over it. I know the play
reasonably well but I wouldn’t be surprised if I had watched him
plot and commit a few more murders that were not in the
script...Here was an evil man, smelly man with a stoop and unwashed
lank greasy hair. When Anne spits on him we all wanted to, he was
vile…’ Paul Nelson (Borough News)
‘…Tom Rushforth’s lank, insane Richard gazes penetratively at
individual audience members as he delivers the Bard’s revealing
asides from only a few feet away…Here, he is a yob fuelled by youth
and ambition whose psychotic quest for power is not tempered by a
wisdom that could come with age…here is a man not prone to
examining himself and his actions…Rushforth’s performance is
superb.’ Jeremy Austin (The Stage)
‘…In the title role, Tom Rushforth delivers a performance that
is totally compelling. His hump back is barely noticeable but his
withered arm looks alarmingly realistic – the result of the actor’s
own ingenuity and determination to create an authentic portrayal.’
Roy Atterbury (Kentish Times)
‘Every good fairy-tale needs a baddie and Tom Rushforth as Richard, lank of hair and sporting one black glove a la Dr Strangelove, immediately creates an aura of evil. Throughout he employs the Gary Oldman-esque tactic of alternating passages of smarmy insinuation with outbursts of psychopathic anger. His playing of the pre-Bosworth sequences in which his conscience finally pricks him is very well done indeed…his fractured personality…’ Joe McCallum (In London)
NOT ABOUT HEROES, Orange Tree Room
‘the same actor who was the clean-cut post Wilfred Owen in Not About Heroes…put me and the rest of the audience into a very emotional state.’ Paul Nelson (Borough News)